SpectraSoul

Since SpectraSoul’s debut release on Critical Music, ‘Alibi’, in 2008, the drum & bass world stood to attention in anticipation of the boys’ next enrapturing release. Hailing from Brighton, Jack and Dave - aka SpectraSoul - have been serving up more soulful tunes than a squirrel harbours nuts, with support from all scales of the spectrum including Friction’s Shogun Audio – acting as the stronghold for all of their releases – Goldie’s Metalheadz label, Teebee’s Subtitles and dBridge’s Exit Recordings.

Gracing clubs and festivals the world over and capturing the essence of soulful-meets-sordid bass, the global recognition of SpectraSoul’s seductive production skills and achingly smooth mixing abilities has earned them their stripes as a truly treasured gem in the drum & bass and electronica circuit. Their infinite and varied influences, from Cinematic Orchestra to J-Dilla, are evident in each of their tracks. Regularly playing far and wide from intimate venues to vast international festivals, SpectraSoul craft beautiful sound in all its forms.

From darker tracks like ‘Mimic’ to the soothing melodies in ‘Shades of Blue’, SpectraSoul’s sound is enticing even to the most discerning ear. Signature qualities include stacks of soul, smooth fluid drum-kits, intoxicatingly deep and silky bass-lines and stunning vocal samples. Each and every release proves impeccable sky-high quality control and dazzling arrangement come as standard – even d&b sceptics are compelled to admit that indeed there is a captivating, irresistible power and sparkle to SpectraSoul’s drum & bass. Stylistically, they combine and rejuvenate tech, soul and melodic minimalism into electronic bliss, which transmits both to dancefloor impact and easy-listening appeal in equal measure. Markedly respected throughout the industry, SpectraSoul’s beats are alluring, enthralling and irrevocably charming all at once.